we are buried together - cheonsapp - 鬼滅の刃 (2024)

SaneObaGiyuu but tragic. Tomioka is so in love with them and they’re so in love with him but a part of him just can’t believe it. Why him? What does he have? What can he give to such a relationship? What has he done to deserve this? Why do they want him?

And then he thinks maybe they don’t want him. Maybe they thought they did at first but now the initial attraction has worn off and he’s stuck in the middle of it. Maybe Sanemi and Obanai want out but they don’t know how to leave. Tomioka spirals. And we all know Tomioka, He likes to hide from things. He pulls away. He can’t help it. They invite him out to dinner and all he can think is that it’s just a convenience invite, they’ll be happier without him there, the food will taste better without his dull presence. He leaves letters unopened and unanswered because he can’t bare the sight of an empty confession, of emotionless words and reminders that he is so wholly unloveable.

And neither Obanai nor Sanemi are stupid. They can feel the difference in their lover. They know that he stills loves them, he still looks at them with that twinkle in his eye that nobody else has the privilege of seeing. But he’s not himself anymore. They don’t see his tiny little smile anymore. He’s getting paler, avoiding the sunlight like a plague, like he’s not going outside as much. SaneOba have quiet talks between themselves. Wondering what to do, how to confront this behavior, if this can be fixed. They don’t want to lose Tomioka.

So, they try. They show up at his house, both alone and together, they reject missions and neglect their own needs all for Tomioka. Because they don’t care how much sleep they’re lacking or how many times they’ve missed training, something is wrong with their love and they need to fix it, whatever it is.

For a brief period of time, things go back to normal. Tomioka sees them trying and its like a switch flicks inside of him- they are trying because they want to, because they want him. He reciprocates the effort. He makes them breakfast after they spend the night and then dinner before they travel back to their own homes. He shows up to their trainings with towels and a change of clothes. He laughs a bit more and he sunbathes in his front yard while they bicker about nothing in particular. They say I love you and he says it back. I love you, too.

But a cycle is just that. An end is just a beginning and the beginning is an end in and of itself. It could be a mission that includes Sanemi and Obanai but excludes Tomioka. Or it could be a snide remark from another rank, sticking their nose into business it doesn’t belong in. it could be an eyeroll from Sanemi or a scoff from Obanai. but somewhere along the way something happens and Tomioka is once again awake at three in the morning with a weight on his chest. There’s a pressure behind his eyes and a pit in his stomach. He doesn’t want this to happen again. He was getting so much better. Why does this always happen to him? Why can’t he be normal, accept love without question? Is there something wrong with him? Fundamentally, cosmically wrong?

He spirals. It's just like before. But this time there’s no one there to keep his head above water. Sanemi and Obanai are sent on a mission. Tanjiro and Nezuko haven’t seem him in months. The other Hashira barely tolerate him as it is. He is alone. And he sinks.

It only takes a few days. The feeling of his sword against his wrists isn’t as unnerving as he thought it would be.

In a few days time, the crows of the Demon Slayer Corp receive a message. Kanzaburou caws solemnly. The news travels fast.

It reaches the Hashira residing at the estate first. Shinobu, Rengoku, and Himejima. The birds swarm above them, and for an oblivious second, they think there’s a mission. Then, Attention, Hashira! Tomioka Giyuu, the water pillar, has been found dead in his estate!

And there’s a silence between the three. Maybe it’s the shock. Maybe it’s the wording. Dead. In his estate. They listen to the message repeat two, three times more before it sets in. One of them is dead. Shinobu is the first to start moving. Rengoku and Himejima follow closely.

Next, is Tengen, who relaxes at home with his wives milling about. He can hear his crow from miles away. When the bird doesn’t say anything until it lands on a window perch, is when Tengen knows something is wrong. The words ring throughout the house. Tomioka Giyuu has been found dead. One of his wives drops a cup. It shatters on the floor. Tengen flinches.

Mitsuri is training when she’s delivered the news. She snaps her wooden sword in two. She can’t accept it- and- and then she thinks- Obanai. Sanemi. She doesn’t thinks she’s ever cried so hard before, and she doesn’t think she ever will again.

Sanemi and Obanai are on their way back from a long, hard mission. They talk amongst themselves once in awhile, hands grasped and swaying. They’re making their way back to Tomioka’s house, grateful to finally see their lover after weeks apart. Though, they’re worried, undoubtedly so. Tomioka hasn’t sent a letter in days. They wonder if perhaps he has been sent on a mission and hasn’t been able to write, yet. They miss him. They can’t stop talking about him, about seeing him again. Sanemi plans to cook the three of them dinner and Obanai talks of taking Tomioka on a walk.

When they’re only two miles away, there’s a rustle in the trees. Both of them tense. The adrenaline inside them is still pumping, muscles long overworked from slaying demons. They both keep their eyes keen on the tree line. Only, instead of a sneak attack, out flies a crow.

It’s an estate one, not assigned to any specific slayer. It sqwuaks once, then twice, circling above them like a bad omen. Sanemi’s heart jumps into his throat and Obanai swallows harshly. Something’s wrong. They can feel it.

Attention, Hashira! Tomioka Giyuu, the water pillar, has been found dead in his estate!

The world is ripped from beneath their feet. They can’t- they can’t breathe. Their throats are closing up and their lungs are squeezing and nothing feels real. Neither of them move. They’re stuck infinitely in the place they are, where their feet meet the ground. One step in front of a time where Tomioka was still alive and forced to take another step into a time where he is not.

They don’t look at each other. Their hands fall from each other’s touch. They both begin to run.

They are the first to reach the estate. The body.

Sanemi breaks down the front door with a shaky leg and a bruised shoulder. Obanai grabs him by his uniform and drags him inside and they’re both stumbling through the living room. They ignore the silence because they have to, because if they focus too much on it then they don’t think they’ll be able to keep walking.

The kitchen is empty and so are the closets and the patio and the bathroom. While Sanemi is kicking at a closed door in frustration, Obanai’s feet stop in front of the closed off bedroom. He knows what’s behind it. Sanemi does too, because instead of kicking that closed door, he stomps over to kick this one instead. He’s angry, though Obanai can see through it clearly.

“I swear to god, you better open this f*cking door, G-..” He says, and then he cuts himself off, because his voice is wavering and he can’t say that name. Not yet.

Obanai twists the knob open instead. He can’t bear the nerves. He needs to see for himself. He won’t believe it if he doesn’t.

Tomioka sits splayed against the furthest wall. His head is slumped over on to his shoulder and his eyes are closed. His hair is untied and greasy and wisps across his forehead. His haori is neatly folded next to him, with his shoes tucked away as well.

His wrists are cut up to his inner elbow. The blood that spills from them has long since dried.

Sanemi drops to his knees and the only way Obanai is able to stay upright is the utter shock keeping him rigid. Silent, hot tears begin to fall. They don’t look away from the body- the body of their lover.

This is how they’re found five minutes later, when the other pillars begin to arrive. Shinobu, Rengoku, and Himejima are first. Tengen and Mitsuri arrive seconds later.

It’s not enough, it feels too empty. The simplest, quietest gasp from Shinobu is what knocks Sanemi and Obanai from their stupor.

They scramble and trip and stumble to Tomioka like there’s still time, like there’s still someway to save him. The rest of the Hashira are stilled in silence, unable to find something to do or say, unable to stop their friends. Obanai grabs at his lover's arms and tries to push the sliced skin back together. Sanemi’s clammy palms grabs at his paper white cheeks and checks his pulse.

When he finds none, he screams. He sucks in a breath and he digs his face into Tomioka’s chest and he screams.

Obanai finally begins to register that the dried blood on his hands will never wash off. He will forever be stained the same way he was stained all those decades ago when they first sliced his lips open. He falls from his ankles to his knees and nestles the palm of Tomioka’s hand to his cheeks with a cry.

The Hashira don’t know what to do. They stand at the doorway and they watch the blood smear and the tears fall. They listen to sobs so anguished that it burns into their memory. Himejima begins to pray but the words are muffled over the loudness of grief.

Getting the cold body away from Sanemi and Obanai proves to be difficult. They lash out and attack indiscriminately at their peers. They draw swords and scream threats and crowd around Tomioka’s body like a lion does a carcass.

Shinobu has to be brought tranquillizers from the butterfly estate. Only after it’s administered do Sanemi and Obanai finally collapse in on themselves.

Mitsuri and Himejima watch over them solemnly as Tengen, Rengoku, and Shinobu wrap up Tomioka’s body in a white sheet.

The funeral is worse than the day of Tomioka’s death, if that’s even possible. The Kamado siblings are finally made aware of the situation, along with the group of friends they acquaint themselves with. The former water Hashira, Urokodaki, is also informed. Genya finds out through Himejima.

The turmoil is immense. Tanjiro is inconsolable. He is barely able to stand upright as he rushes through Butterfly Estate’s doors. Zenitsu and Inosuke are following closely behind him, with Nezuko hiding away in her box. They say they’ve been running for a day and a half straight after receiving the news. That there must be some kind of mistake, that their crow has mistranslated the words, that it can't be true.

The quiver in Tanjiro’s voice when he asks- Is Giyuu-san here? Can we see him?- is enough for Shinobu to break her facade. A tear slips down her cheek as she takes the three boys and the demon girl into a back room where Tomioka’s body lay prepped for the funeral.

The cries that come after she closes the door echo around the entire estate. They don’t stop.

Urokodaki arrives later that day. He’s wearing his mask as he bows to the Hashira, and they bow back. Sanemi and Obanai avoid his gaze. They can’t look him in the eye, they can’t even look in his direction. Hearing his voice makes them flinch. They can’t handle this- they can’t do this- they can’t face the effects of their failure.

Urokodaki asks a question as well, once formalities are finished. Where’s my son? He asks, quietly, hushed. Sanemi and Obanai begin to sob. The former water Hashira joins them.

Genya.... tries. He watches, at first, from a distance. Ever since he first heard the news, He’s been watching. Keeping his eyes trailed on his grieving brother. His ‘Nemi. His sweet, protective older brother who won’t stop screaming his tears and wrecking the training grounds. Genya is scared. He’s completely terrified that maybe this is the breaking point. That Sanemi won’t be able to take anything more after this.

Genya doesn’t say it out loud, but thinks his brother is going to kill himself.

Death, as always, drives people apart. It’s the catalyst, the very foundation of loss. The Hashira are not exempt to this.

Sanemi and Obanai are not exempt to this. Tragedy breeds resentment and resentment only grows. They push each other away. It feels too wrong, too out of place to be together, to be in the same room, to eat the same meal. There’s something missing. There will always be something missing.

There is no messy eater sitting between them at dinner. There is no quiet chuckles during their bickering. There is no half-read book sitting on their nightstand, there is no extra pair of shoes at their door, there is no soft whispers of I love you both before they drift to sleep.

There is no Tomioka. There will never be Tomioka again.

And without Tomioka, they don’t think there can be a them.

At the urgent orders of their master, the remaining Hashira take shifts keeping diligent eyes on the wind and snake pillars. It’s not an order they need- the growing concern among them is enough.

Rengoku and Tengen train with Sanemi. Mitsuri drags Obanai along to a picnic at her estate every other day. Himejima visits them both every morning, meal, and night to pray. Shinobu sits in silence, or watches from a spot in the trees, any chance she gets.

Tanjiro writes to the two pillars daily. He might not have had the best impression of them at first, but he knows loss intimately. He knows they are grieving. He is, too.

Genya reaches out to his brother as often as he can. Obanai, as well. Neither of them often answer the door. But he’s okay with just sitting outside and talking. Even if most times, he’s simply talking to himself.

Despite everything, despite it all, there is a certain truth to the universe. An end is a beginning and a beginning is an end. And Tomioka’s cycle does not end with him. Loss does not end, nor will it ever. it takes and it takes and it never stops taking.

Sanemi kills himself three weeks after Tomioka’s funeral. He lays down at his lover’s grave and sends his crow to apologize to Obanai. Genya is the first to find his body.

Obanai is not a strong man. He never has been. He has lost everything and everyone and he does not know how he’s made it this far in life. He gets the news of Sanemi’s death within the hour. And... he thinks this is it. He does not want to make it any further. Not when he’s alone, not like this.

Fearing for his child, Master Kagaya sends Tengen, the fastest of the Hashira, to the snake pillar’s estate at once.

When he arrives, Obanai is already swinging above a tipped over chair.

The two bodies are later buried on either side of Tomioka. Because there is no them if it is not all three.

The cycle continues.

we are buried together - cheonsapp - 鬼滅の刃 (2024)
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